Projects
Gallery
As the Creative Director, I was responsible for the complete visual identity of the Tufts Observer across 8 issues, managing the creative vision and production workflow.
My process was built on collaboration and empowerment. I led a team of 9 designers though the entire publication process, streamlining workflows to enhance productivity. To help build a strong foundation I led in mini InDesign workshops to elevate the team's technical skill. By working closely with editors, writers, and artists, we transformed articles into compelling visual stories, consistently meeting deadlines to deliver a high-quality print and digital magazine.
A sketchbook is more than just a collection of drawings, it’s a diary, a conversation, a space where thoughts unfold without words. Dear Sketchbook explores the act of drawing as a form of writing, where lines, shapes, and textures become a language of their own.
Designed as an origami zine, this piece invites readers to interact with the pages, mirroring the process of sketching—folding, unfolding, layering ideas, and embracing imperfections. It celebrates the sketchbook not just as a tool for finished works but as a raw, intimate space for processing emotions, capturing fleeting moments, and thinking through the hand.
Dear Sketchbook is a love letter to those who find clarity in scribbles, who write through marks and smudges, and who see drawing as a way of speaking when words fall short.
This digital collage explores the tension between self-perception and external judgment. A faceless figure stares into the void, their identity fragmented and replaced by an overwhelming mass of eyes—watching, analyzing, distorting. The scattered text challenges the viewer directly, forcing them to confront their own biases, assumptions, and the weight of societal gaze.
By merging surreal portraiture with cut-and-paste aesthetics, the piece reflects the experience of being seen yet unseen, observed yet misunderstood. The muted tones and grainy texture evoke a sense of unease, blurring the line between identity and objectification.
This piece satirizes the intersection of objectification and consumerism by merging human legs with fresh produce, transforming bodies into commodities for consumption. Inspired by vintage advertising aesthetics, the composition evokes the surrealism of mid-century grocery ads while exposing their underlying themes of commodified femininity. The addition of grocery price tags and barcodes on the legs reinforces the unsettling reality of how women's bodies are marketed, consumed, and assigned value in both media and society. By turning the absurd into a critique, the artwork forces the viewer to reconsider the ways in which bodies—like products—are packaged, priced, and sold.
Spectrum of Desire is an abstract piece that explores the fluidity and complexity of human sexuality. The artwork features a dynamic composition employing bold strokes to create a sense of movement and energy, symbolising the ever-changing nature of sexual attraction and identity. It suggests the malleability and adaptability of sexual expression, challenging rigid categorisation and binaries, emphasizing the idea that sexuality is not fixed, rather a continuum that allows for exploration and self-discovery.
